12 Alto saxophones - also version for 8 alto saxophones
(revised October, 2022)
(8 minutes)
First Performance: 29th June, 2007
Concert Hall - Royal College of Music, London
First Performance of revised version: 9th November, 2022
Guildhall School of Music and Drama, London
GSMD Saxophone Ensemble - director Naomi Sullivan
Purple Gong Orange Tam-tam
RCM Saxophone Ensemble - director Kyle Horch
Original Programme Notes:
The overriding influence on this work is late 60s' psychedelic music and there are
hidden references to some of classic recordings of that period. There are many rock
influenced themes played in octaves or parallel fifths, as well as a dreamy, spaced-out
central section. Much original psychedelic music was electronic but there was also the
frequent use of the saxophone. Not only did Gong have a saxophone player but Terry Riley
also played soprano saxophone, performing long, trance like pieces with an electronic
delay system. However I am not sure how many members of today's audience would be
prepared to bring sleeping bags, and listen to a work for 12 alto saxophones, lasting
several hours. Another influence, on a short textural section in this work, is obviously
European classical music from the same period.
There is a particular quality of sound when several identical instruments are playing
together, whether unison lines or widespread harmony, and it is invariably rewarding
to write for such ensembles. Previously I have composed works for 5 alto saxophones and
4 tubas.